GLASS DESIGN is an Italian excellence in the production and design of bathroom washbasins and interior decoration furnishings. Located in Vinci, in the heart of Tuscany, and native town of ” Leonardo di Vinci”, GLASS DESIGN was founded in 1984 by the Borsellini family, further to a long tradition in manufacturing artistic glass. Both by using technologically advanced materials such as stainless steel or silicone, and by working in an artistic way with traditional materials like the formed 24%pb crystal and the artisan glass, the company GLASS DESIGN contributes to the creation of a new style, where even the accessory is addressed in all details, becoming the main subject of the environment, a true “fashion” product, highly appreciated in the world and exported to more than 60 countries. Over 200 Tuscan artisans and more than 15 glassmakers of Murano work within the company’s production chain, enabling the customization of each product to suit individual needs and specific requirements, in order to create unique and exclusive products.
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Ettore Sottsass was one of the most internationally influential designers and architects of the 20th century. Sottsass primarily was known for his furniture and lighting, but also designed numerous other objects, including vases, office equipment, and consumer electronics. He founded the Memphis Group, sometimes known as the Memphis Movement, in 1980, a group of designers and architects that was committed to the colourful, playful style pioneered by Sottsass. Ettore Sottsass: a biography Ettore Sottsass was born on September 14, 1917 in Innsbruck, but grew up in Milan. He studied at the Politecnico di Torino, where he received a degree in architecture in 1939. In 1948 Sottsass returned to Milan to open his own studio for architecture and industrial design. In 1956 he began working with industrial designer George Nelson in New York. That same year, Sottsass began his collaboration with the office equipment manufacturer Olivetti, and gained public recognition for the first time with his design for the Olivetti Elea, an early mainframe computer. In 1959 he won the Compasso d'Oro, Italy’s most prestigious industrial design award for the Elea 9003, which he designed with Roberto Olivetti and the engineer Mario Tchou. In the 1960s, Sottsass travelled extensively in the US and India, and began to design further products for Olivetti. The portable Valentine Typewriter is perhaps his best known work from this period. In 1966 and 1967 he created furniture for the manufacturer Poltronova, experimenting for the first time with coated materials and ceramics. In 1968, the Royal Academy of Art granted Sottsass an honorary degree, in recognition of his immense contributions to the field of design by that point. In 1980, Ettore Sottsass started his own company, Ettore Sottsass Associati, and in the same year founded the Memphis Group with together with various fellow architects and designers. Their work debuted at the Salone del Mobile the following year, but Sottsass left the group in 1985, and it later disbanded in 1989. Sottsass' greatest works have been exhibited extensively, including at the Venice Biennale in 1976, at the Centre Pompidou in Paris in 1994, and at the Design Museum in London in 2007, the year in which he died. Ettore Sottsass’ Typewriter: The Olivetti Valentine In 1969, Sottsass worked with Perry King to design the famous Valentine travel typewriter for Olivetti. With its strong colour and lightweight plastic shell, it remains a symbol of the 1960s pop era. The bright red object quickly became a fashion accessory, bringing colour into the world of work, and becoming an icon of the consumer electronics revolution in the process. West Side Chair by Sottsass The West Side Chair was designed by Ettore Sottsass in the 1980s together with his fellow Memphis Group members. The lounge chairs feature simple shapes and block-like arrangements in bright primary colours. The colours and shapes of the chair, as well as other Memphis Group designs, are reminiscent of the De Stijl movement, referring in particular to the work of the Dutch furniture designer Gerrit Rietveld. The Memphis Movement wholeheartedly rejected functionalist modernism in favour of formal playfulness and fun. These ambitions are highly visible in the West Side Chair, part of the EastsideWestside Collection, which was produced Knoll International. © by Architonic
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Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.
About Glass Design
GLASS DESIGN is an Italian excellence in the production and design of bathroom washbasins and interior decoration furnishings.
Located in Vinci, in the heart of Tuscany, and native town of ” Leonardo di Vinci”, GLASS DESIGN was founded in 1984 by the Borsellini family, further to a long tradition in manufacturing artistic glass.
Both by using technologically advanced materials such as stainless steel or silicone, and by working in an artistic way with traditional materials like the formed 24%pb crystal and the artisan glass, the company GLASS DESIGN contributes to the creation of a new style, where even the accessory is addressed in all details, becoming the main subject of the environment, a true “fashion” product, highly appreciated in the world and exported to more than 60 countries.
Over 200 Tuscan artisans and more than 15 glassmakers of Murano work within the company’s production chain, enabling the customization of each product to suit individual needs and specific requirements, in order to create unique and exclusive products.
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